dixon, wheeler winston - foster, gwendolyn audrey

A major history of the impact of Caribbean migration to the United States.

‘Wat, wat, moet ik aan met al dit leven?’ Maud Martha Brown groeit als jong Zwart meisje op in het Chicago van de jaren 40. Ondanks de vervallen gebou

With more than 250 images, new information on international cinema-especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers-an expanded s

With more than 250 images, new information on international cinema, an expanded section on African-American filmmakers, updated discussions of new wor

They are shot on high-definition digital cameras—with computer-generated effects added in postproduction—and transmitted to theaters, websites, and vi

Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to t

This volume provides a comprehensive guide to the long tradition of American avant-garde cinema, from its origins in the 1920s to the work of contempo

In these diatribes on the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities,

Hoe je leerlingen nieuwsgierig maakt naar het Frans! Een structuur die makkelijk aan te passen is: 8 hoofdstukken per niveau, elk verdeeld in twee th

This is an interdisciplinary study of etiquette texts, conduct literature and advice books and films. It analyzes the work of such women authors as Em

Disruptive Feminisms provides a revolutionary new approach to feminism as a disruptive force. By examining various films and filmmakers who are not so

Oprah Winfrey, Donald Trump, Roseanne Barr, and Britney Spears typify class-passers - those who claim different socioeconomic classes as their own. Th

An examination of the works of six contemporary black and asian women filmmakers. It also includes a detailed introduction and a chapter entitled "Oth

Reassesses the rules of social standing in American popular culture. Oprah Winfrey, Donald Trump, Roseanne Barr, and Britney Spears typify class-passe

Explores how whiteness is culturally constructed in American films.

The culture of twenty-first century America revolves around narcissistic death, violence, and visions of doom. Foster explores this culture of the apo